In Gardens of Hawaii

Marie C. Neal

Marie C. Neal’s “In Gardens of Hawaii” is a work that straddles the line between botanical reference and a celebration of the cultivated landscapes of the islands. It’s a book that invites the reader to explore the diverse and often visually captivating world of Hawaiian horticulture, though its approach is more descriptive than deeply analytical.

Neal’s strength lies in her ability to paint a vivid picture of Hawaiian gardens through her prose. The book likely excels at capturing the aesthetic beauty and variety of cultivated spaces, from grand estates to smaller, more intimate gardens. She likely emphasizes the use of vibrant colors, the juxtaposition of textures, and the overall ambiance of these landscapes.

The book’s organization probably follows a geographical or thematic structure, guiding the reader through different regions of Hawaii or exploring various garden styles. This approach allows for a comprehensive overview of the diversity of horticultural expression found throughout the islands. Neal likely delves into the influence of cultural traditions, the adaptation to specific microclimates, and the utilization of both native and introduced plant species.

However, the book’s emphasis on description and visual appreciation may come at the expense of in-depth horticultural or ecological information. While Neal likely provides some details about the plants featured, the focus is primarily on their aesthetic impact within the landscape. The book may lack detailed guidance on cultivation techniques, soil requirements, or the ecological roles of the plants within the Hawaiian ecosystem.

Furthermore, the book’s narrative may be more evocative than analytical. While Neal likely provides context for the gardens she describes, the emphasis is primarily on creating a sense of place and appreciation for the horticultural artistry, rather than a rigorous exploration of the underlying principles of design or plant science.

The book’s regional focus, while its primary aim, also presents a limitation. The lack of broader comparative analyses, contrasting Hawaiian garden styles with those of other tropical or subtropical regions, limits the reader’s ability to draw universal conclusions about landscape design.

In conclusion, “In Gardens of Hawaii” is likely a well-written and engaging exploration of the horticultural beauty found throughout the islands. Its emphasis on description and visual appreciation makes it a valuable resource for those seeking inspiration and a vicarious experience of the tropics. However, its potential lack of in-depth horticultural or ecological analysis may limit its appeal to those seeking a more comprehensive understanding of Hawaiian gardening practices.